• • • Christoph Bangert • CrossoverText.......................................................................................................................................................................................... Bangert, Berlin, künstlerischer Grafiker, Bildender Künstler, Kunstmaler, Maler, Künstler, Kunst, Bildende Kunst, Form, Keilrahmen, Leinwand, Wandbild, Geometrie, geometrisch, Düsseldorf, Dortmund, Münster, Duesseldorf, Dusseldorf, Statistik, statistisch, Loop, Loopscape, Raumbezug, Computerkunst, Computergrafik, Performance, zeitgenössische Kunst, Medienkunst, Druckgraphik, Druckgrafik, Zeichnung, Installation, Rauminstallation, Experiment, Kunstausstellung, Ausstellung, Kunstprojekt, experimentelle Musik, experimentelle Kunst, Relief, Diagramm, Acrylfarbe, Farbe, Malerei, Diagrammbild, Grafik, Wandmalerei, Bild, Gemälde, Relief, All-Over, All Over, anti-hierarchisch, Muster, Anti-Ornament, Anti-Dekor, Inspiration, Masolino, lyrisch, konzeptionell, Prozess, Schichtenmalerei, Kassenzettel, Steinbock, Offenes Bild, Boden, Farbuhr, Nadeldruck, Gravur, langsame Malerei, on wall, lineare Zeichnung, Astraum, Endloslinie, linear, kreisendes Denken, Parallelogramm, Wandmalerei"


	The sizes of the circle radii are concretely derived from the stretcher frame format, especially from the proportion of height and width. Example: if the stretcher measures 42 x 29.7 cm, then the sizes of the four used radii are: 21 cm, 14.8 cm, 10.5 cm and 7.4 cm.

	Circles in miniature, namely dots, usually mark all the intersections of the linear drawing. This slows down the dynamics of the arc-shaped loop, and binds it visually to the painting. In part, depending on the point of view, this creates the illusion that the stippling represents a perforation.

	There is a new openness to all imaginable kind of forms in which the loop idea might manifest itself. Its conceptual precision can also take on very imprecise-seeming forms, depending on the tool chosen and the consistency of color.

	Anyway, it is not a matter of mathematical arrogance, but rather a matter of always finite attempts to aesthetically and ritually conjure up the eternal same.